Click on the link to see the video.
Click the following link to see the video.
Follow the link to view the October 2013 video lesson based off the Rock Perspectives column I wrote.
Here is my Rock Perspectives article and video on Double Bass.
Click on the link to view a new variation to a classic chop builder exercise!
I like to add this type of pattern to spice up shuffles, blues and swing. Try going over the bar line for added oomph…..just make sure you hit 1 so you do not throw off the rest of the band…..
Please click on the link to view the article I wrote for Modern Drummer magazine.
In this lesson, I’m going to show you here is one way to expand your musical vocabulary and stimulate creativity by playing on other sound sources, in particular the toms. But feel free to expand on this concept to use other sound sources such as cowbells, rims, sound effect cymbals, etc.
To begin, start playing a constant eighth note ride pattern. While you most likely are familiar with playing on the ride or hi hat, how about moving the ride pattern to the toms. First, we’ll practice playing the new drum pattern on the floor tom alone. This way you will be getting use to playing a ride pattern on a sound source other that the hi hat or ride cymbal. Next, add the rest of the patterns: bass drum on counts 1 and 3, snare and hi hat on counts 2 and 4.
Now, play the ride pattern between 2 of the toms. Try beginning with tom 1and the tom 2. Notice that you are playing the quarter notes on tom 1 and the eighth notes on tom 2.
After you are comfortable playing this way, try to add tom 1. This time play tom 1, tom 2, floor tom, tom 2, tom 1, tom 2, floor tom, etc. Notice how the quarter notes are now split between tom 1 and the floor tom, while the eighth notes are all played on tom 2.
Add as many toms as you like, or have. At this point you should understand this concept enough to apply it to your own patterns. Also, try experimenting with cymbals or what ever other sound source that you may have. This same concept can be applied to sixteenth note patterns. For many different drum patterns, check out my new books, “Studies in Drum Set Independence Vol.1 & Vol. 2” available through Mel Bay Publications.
EXERCISE 1 – The Pyramid
This exercise is meant to be played one foot at a time. I call these exercises the Pyramid because you start out playing quarter notes, and progress from eighth notes, triplets, sixteenth notes, back to triplets, eighth notes, to quarter notes. After one succession has completed, switch to your other foot and repeat the exercise.
You should recognize this exercise from the Chop Builder section. All of the hand patterns now will be played using your feet.
EXERCISE 3 – Pyramid 2
These pyramids start out with quarter notes and progress to thirty-second notes. This time you will be alternating strokes with your feet.
This is an exercise designed for developing rolls around the drum set. I did not include a key for what drums to play the hand patterns on to stimulate your own creativity!
This is a basic half-time feel: sixteenth note triplets on the double bass, while maintaining constant eighth notes on the hi hat or ride cymbal, with 2 and 4 on the snare.
This is another half-time feel: this time there are thirty-second notes being played on the double bass, while maintaining constant eighth notes on the hi hat or ride cymbal, 2 and 4 on the snare.